"Greetings from DavidVincenti.com! This is your 'Jets 16, Chargers 14' Update.
We know you're busy thinking through how you'll celebrate the Jets' victory* on Sunday, but we don't want you to forget about the days following that momentous event, either: planning your evening menus, organizing your receipts to start on your taxes, and coming to see David Vincenti read with Quincy Lehr this Tuesday at Tasty Coco in Caldwell, New Jersey....
* - Yes, we believe. We always believe."
I sent it to my mailing list yesterday. I swear!
Since I brought it up, shall I mention a bit more about this Tuesday? Tasty Coco features a nice bistro menu, heavy on good desserts and coffee drinks, and a rather large fraction of their energy goes into presenting local artists. This week, those artists are Quincy Lehr and yours truly. Rick Mullin is the host.
I've been going through new and old poems for the last week or so thinking through my material; Rick serves up an interesting format, one that is extremely entertaining in how it circles through the voices it presents. The open starts, then the features go on for a while, then the rest of the open, then a "victory lap" where every poet present (including the features, of course) does one more short poem. It's worth coming out to see.
Busy couple of months coming up here. Two scheduled readings in the next month, one already booked for July (and keep contact with the Facebook page for two more in the works!), forcing me to update the portfolio, which I've been horribly neglecting. Having been focused so much on polishing and repolishing the chapbook manuscript (and being busy with family and work - the clear priorities, in the end), I'm sure I've been losing good ideas. The current notebook has lasted me a year; even with relaxing my rule against composing in MS Word (I use a pencil or a tape recorder), that's not good enough. But this reading's given me the kick in the seat I needed to dust off the newer projects. Sometimes you need that.
Did I say chapbook? Yes, I did. More on that next month.
I've been flipping around in Ray Gonzalez' Consideration of the Guitar (New and Selected Poems); I'll take it from the beginning soon, but this is how like to work my way into an author whose work is new to me: a random sampling of the buffet so I can decide where to dive in first.
I get to it all, don't worry.
Interesting, though - Gonzalez is one of those poets whose work is very different to me aurally - I have the same trouble hearing Gonzalez that I do hearing Coleman Barks. They're not similar poets at all, but they do share a low-key, inmitable presence at the microphone which I can't replicate in my head. That won't stop me from consuming the work, of course, but I do need to get past it before I can really enjoy the work. Is that crazy?
See you Tuesday?